Archive for category Music

[BOOK] One Handed: A Guide to Piano Music for One Hand – Google Books

Front CoverThis guide to the piano literature for the one-handed pianist surveys over 2,100 individual piano pieces which include not only concert literature but pedagogical pieces as well. Following the introduction are four chapters cataloguing original works for the right hand alone, original works for the left hand alone, music arranged or transcribed for one hand alone, and concerted works for one hand in concert with other pianists, instruments, or voices. Each entry assesses the individual composition, its quality, its difficulty, its particular appeal, and its uses with the composer’s name, dates, and nationality, where possible. Also included is a selected discography of commercially produced phonodiscs, compact discs, and cassettes. Instructors and pianists alike will appreciate this exhaustive guide to one-handed piano music. To aid further research, a bibliography of books, articles, and theses about the literature is provided along with a chapter that lists the contents of thirty-six anthologies devoted to one-handed piano music. This unique reference also includes an index.

Source: One Handed: A Guide to Piano Music for One Hand – Donald L. Patterson – Google Books

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[MUSIC] Antonio Salieri. Twenty six variations on La Folia de Spagna – YouTube

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[Abstract] Music supported therapy promotes motor plasticity in individuals with chronic stroke

Abstract

Novel rehabilitation interventions have improved motor recovery by induction of neural plasticity in individuals with stroke. Of these, Music-supported therapy (MST) is based on music training designed to restore motor deficits.

Music training requires multimodal processing, involving the integration and co-operation of visual, motor, auditory, affective and cognitive systems. The main objective of this study was to assess, in a group of 20 individuals suffering from chronic stroke, the motor, cognitive, emotional and neuroplastic effects of MST.

Using functional magnetic resonance imaging (fMRI) we observed a clear restitution of both activity and connectivity among auditory-motor regions of the affected hemisphere. Importantly, no differences were observed in this functional network in a healthy control group, ruling out possible confounds such as repeated imaging testing. Moreover, this increase in activity and connectivity between auditory and motor regions was accompanied by a functional improvement of the paretic hand. The present results confirm MST as a viable intervention to improve motor function in chronic stroke individuals.

Source: Music supported therapy promotes motor plasticity in individuals with chronic stroke – Online First – Springer

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[ARTICLE] Analysis of surface EMG activation in hand percussion playing depending on the grasping type and the tempo. – Full Text HTML

Abstract

Although instrument playing-based training has been repeatedly reported to improve functional hand movements including grasping, the attempts to present quantitative information on physiological mechanism of grasping have been relatively insufficient to determine the type and the intensity of the exercises involved.

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This study aimed to examine the muscle activation during hand percussion playing depending on the grasping type and the playing tempo. A total of twelve healthy older adults with a mean age of 71.5 years participated in this study. Surface electrodes were placed on three grasping-related muscles: Flexor digitorum superficialis, extensor digitorum, and flexor pollicis brevis. Participants were instructed to play with the egg shaker, paddle drum mallet and clave involving different types of grasp at three different tempi (i.e., 80, 100, and 120 bpm) and sEMG data were collected during each playing. Significantly greater muscle activation was generated with the small sphere type of egg shaker, compared to the handle type of paddle drum mallet and the small cylinder type of clave. Playing at faster tempo also elicited significantly greater muscle activation than at slower tempo. With regard to the rise time of muscle activation, while tempo significantly affected the rise time, the time to peak muscle activation did not significantly change depending on the grasping type.

This study confirmed that grasping pattern and the tempo of movement significantly influence the muscular activation of grasping involved in instrument playing. Based on these results, clinical implication for instrument selection and structured instrument playing would be suggested.

Continue —> ScienceCentral

 

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[ARTICLE] Home-based Neurologic Music Therapy for Upper Limb Rehabilitation with Stroke Patients at Community Rehabilitation Stage – a Feasibility Study Protocol.

Background: Impairment of upper limb function following stroke is more common than lower limb impairment and is also more resistant to treatment. Several lab-based studies with stroke patients have produced statistically significant gains in upper limb function when using musical instrument playing and techniques where rhythm acts as an external time-keeper for the priming and timing of upper limb movements.

Methods: For this feasibility study a small sample size of 14 participants (3 – 60 months post stroke) has been determined through clinical discussion between the researcher and study host in order to test for management, feasibility and effects, before planning a larger trial determined through power analysis. A cross-over design with five repeated measures will be used, whereby participants will be randomized into either a treatment (n=7) or wait list control (n=7) group. Intervention will take place twice weekly over 6 weeks. The ARAT and 9HPT will be used to measure for quantitative gains in arm function and finger dexterity, pre/post treatment interviews will serve to investigate treatment compliance and tolerance. A lab based EEG case comparison study will be undertaken to explore audio-motor coupling, brain connectivity and neural reorganization with this intervention, as evidenced in similar studies.

Discussion: Before evaluating the effectiveness of a home-based intervention in a larger scale study, it is important to assess whether implementation of the trial methodology is feasible. This study investigates the feasibility, efficacy and patient experience of a music therapy treatment protocol comprising a chart of 12 different instrumental exercises and variations, which aims at promoting measurable changes in upper limb function in hemiparetic stroke patients. The study proposes to examine several new aspects including home-based treatment and dosage, and will provide data on recruitment, adherence and variability of outcomes.

Source: Frontiers | Home-based Neurologic Music Therapy for Upper Limb Rehabilitation with Stroke Patients at Community Rehabilitation Stage – a Feasibility Study Protocol. | Frontiers in Human Neuroscience

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[MUSIC] Mozart – Sonata for Two Pianos in D, K. 448 [complete] – YouTube

The Sonata for Two Pianos in D major, K. 448 is a piano work composed in 1781 by Wolfgang Amadeus Mozart, at 25 years of age. It is written in strict sonata-allegro form, with three movements. The sonata was composed for a performance he would give with fellow pianist Josephine von Aurnhammer. Mozart composed this in the galant style, with interlocking melodies and simultaneous cadences. This is one of his only formal compositions written exclusively for two pianos. This sonata was also used in the scientific study that tested the theory of the Mozart Effect, suggesting that classical music increases brain activity more positively than other kinds of music. The sonata is written in three movements,

  1. Allegro con spirito
  2. Andante

and 3. Molto Allegro.

The first movement begins in D major, and sets the tonal center with a strong introduction. The two pianos divide the main melody for the exposition, and when the theme is presented both play it simultaneously. Mozart spends little time in the development introducing a new theme unlike most sonata forms, and begins the recapitulation, repeating the first theme. The entire second movement is played Andante, in a very relaxed pace. The melody is played with both pianos, but there is no strong climax in this movement. It is written in a strict ABA form. Molto Allegro begins with a galloping theme. The cadences used in this movement are similar to those in Mozart’s Rondo alla Turca. According to the British Epilepsy Organization, research has suggested that Mozart’s K 448 can have the “Mozart effect”, in that listening to the piano sonata improved spatial reasoning skills and reduce the number of seizures in people with epilepsy. Apart from another Mozart Concerto, K 488, only one other piece of music has been found to have a similar effect, a song by the Greek composer Yanni, entitled “Acroyali/Standing In Motion”, which is featured on his album Yanni Live at the Acropolis. It was determined to have the “Mozart effect”, by the Journal of the Royal Society of Medicine because it was similar to Mozart’s K 448 in tempo, structure, melodic and harmonic consonance and predictability.

via Mozart – Sonata for Two Pianos in D, K. 448 [complete] – YouTube.

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[MUSIC] Jacques Loussier Trio – Summer from Four Seasons (Antonio Vivaldi)

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[MUSIC] Mozart, Piano Concerto No. 20 in D minor, 1st movement – YouTube

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[MUSIC] Mozart Requiem

2:05 I. Introitus
7:34 II. Kyrie
III. Sequentia
10:16 1. Dies irae
12:09 2. Tuba mirum
16:01 3. Rex tremendae
18:22 4. Recordare
23:32 5. Confutatis
25:54 6. Lacrimosa
IV. Offertorium
29:29 1. Domine Jesu
33:22 2. Hostias
38:00 V. Sanctus
39:50 VI. Benedictus
45:30 VII. Agnus Dei
49:13 VIII. Communio

via mozart requiem karajan – YouTube.

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[MUSIC] Pergolesi – Stabat Mater

via Pergolesi – Stabat Mater – YouTube.

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